Let the Sun Shine In

This is Sunshine Week, a time to celebrate transparency, and the public’s right to know what government officials are doing and saying behind closed doors. PHL Watchdog is a Sunshine Week partner. It is serendipitous that I will be at City Hall in Courtroom 275 during Sunshine Week.

For more than two years, the City of Philadelphia has fought release of records related to the Philadelphia 76ers’ now abandoned proposal to build an arena atop SEPTA’s Jefferson Station. Perhaps the City thought I would give up. But giving up is not in my DNA. And an awesome team of lawyers, led by Paula Knudsen Burke of the Reporters Committee for Freedom of the Press and Temple University Law Professor Mary E. Levy, has my back.

The City appealed the Office of Open Records’ final determination to turn over responsive records to the Court of Common Pleas Philadelphia County on June 27, 2025. Judge Christopher Hall will hear oral arguments on March 18, 2026.

While 76 Place is as dead as the 76ers’ chances of winning an NBA championship, the public has the right to know how unaccountable and self-serving billionaires hijacked city planning. The latest Market East fiasco shows that the City has learned nothing from the arena debacle.

It is imperative that public officials are held accountable. Transparency must undergird future development projects. So, let the sun shine in.

Women’s History Month: Hannah Archer Till

The fight to save the President’s House has brought renewed attention to the nine Africans enslaved by President George Washington in the shadow of Independence Hall and the Liberty Bell.

Washington’s enslaved cook, Hercules Posey, the nation’s first celebrity chef, managed the kitchen at the President’s House. He became an ancestor on May 15, 1812. To mark the occasion, I will submit my nomination of Hercules for a Pennsylvania historical marker on May 15, 2026.

Before Hercules, there was Hannah Archer Hill (1721-1826). Born into slavery, Hannah was General George Washington’s enslaved personal cook during the grueling winter at Valley Forge.

Hannah and her husband, Isaac, purchased their freedom in 1778. She continued to work for General Washington as a salaried cook through all of his campaigns for the next six and a half years. For six months, her services were lent to the Marquis de Lafayette, who led troops under the command of General Washington.

The position of personal cook to the Commander-in-Chief required culinary skills as well as unwavering loyalty due to the threat of assassination by poisoning.

Following the Revolutionary War, Hannah and Issac made Philadelphia their home where she lived until her death at age 105.

In 2015, Hannah was honored for her contributions during the Revolutionary War. She was recognized as a Patriot by the Daughters of the American Revolution (DAR). A plaque was installed on her headstone in Historic Eden Cemetery. A DAR chapter was named in her honor.

During his triumphal tour of America, the Marquis de Lafayette stopped in Philadelphia in September 1824. Lafayette’s whirlwind of events included a three-mile-long welcoming parade, a temporary arch, and a Grand Ball where Francis “Frank” Johnson, a forefather of jazz, performed his composition, General La Fayette Bugle Waltz.

Lafayette made time to visit Hannah. When he learned that “Aunt Hannah” was behind on her ground rent, Lafayette sent her money to pay off her debt. The site of Hannah’s residence is a stop on my walking tour, Hercules Posey’s Philadelphia.

To be added to the mailing list for the walking tour, send your name and email address to phlwatchdog@gmail.com.

Kennedy Center’s Black History Month Goes Dark

For the first time in decades, there are no Black History Month events at the Kennedy Center. The Washington Post reported:

As the calendar turns to February, many museums and cultural centers across the country are readying their programming for Black History Month. At the John F. Kennedy Center for the Performing Arts, however, the online calendar lists no scheduled events to honor Black History Month, following artist relocations and cancellations.

In the past, the national center for the arts has offered an array of programming keyed to the month-long celebration of Black history, including an annual concert and tributes to African American icons, such as D.C. native Duke Ellington. But the choirs that long performed those concerts moved their performances to other venues after President Donald Trump took over the Kennedy Center by purging its board of trustees last year, and it appears no other thematic programming was added in those events’ stead.

The sound of cancellations is music to my ears.

In a social media post on the first day of Black History Month, Trump, chairman of the Kennedy Center, proposed closing the storied venue for “Construction, Revitalization, and Complete Rebuilding” for two years, starting on July 4, 2026.

I have determined that The Trump Kennedy Center, if temporarily closed for Construction, Revitalization, and Complete Rebuilding, can be, without question, the finest Performing Arts Facility of its kind, anywhere in the World,” Trump wrote in a post on Truth Social. “In other words, if we don’t close, the quality of Construction will not be nearly as good, and the time to completion, because of interruptions with Audiences from the many Events using the Facility, will be much longer. The temporary closure will produce a much faster and higher quality result!

Chairman Trump said the proposal is subject to the approval of his board of trustees sycophants. Closing the Kennedy Center is a transparent way to save further embarrassment from cancellations, plummeting ticket sales, small pool of potential Kennedy Center honorees, and even lower viewership for the Kennedy Center Honors CBS broadcast.

Under Trump’s chairmanship, ain’t nothing going on at the Kennedy Center but chaos and the rent.