This weekend, I led a teach-in at the President’s House Site organized by the Association of Philadelphia Tour Guides.
There was a steady stream of visitors to the site. Most were aware that the National Park Service removed the interpretive signs and were ordered to reinstall them. However, they were surprised the President’s House Site has not been restored to its physical status as of January 21, 2026 as ordered by U.S. District Judge Cynthia M. Rufe.
The Department of the Interior appealed Judge Rufe’s order to the Third Circuit Court of Appeals. Full restoration of the site was paused by Judge Thomas M. Hardiman. As the lawsuit, City of Philadelphia v. Doug Burgum, Secretary of the Interior, et al., moves through the federal courts, the President’s House Site will remain partially restored.
On the two-month anniversary of the removal of the interpretive panels, CBS Sunday Morning aired a report, “Signs of the times: Removing stories of America’s past from our national parks.”
Jim Axelrod interviewed Alan Spears, Senior Director for Cultural Resources at the National Parks Conservation Association.
Spears has a clear message for those who cannot handle the truth about the “nuanced nature of our history”:
If you are thinking about visiting a national park, if you don’t want to tackle any of these large issues that make you think critically about race and slavery, and gender and other things like that, there are hundreds of thousands of places in the United States where you can go. Knock yourself out at Six Flags but don’t ruin it for the rest of us who have come to rely on national parks as places for that learning.
We want to maintain their ability, unimpaired, to be able to talk about the full scope of our history – wonder, warts and all.
President Trump wants to erase the fact-based history told at the President’s House Site. Removal of the interpretive panels is a “sign o’ the times.”
The recent Executive Order titled “Restoring Truth and Sanity to American History” represents a disturbing attack on core institutions and the public presentation of history, and indeed on historians and history itself. The directive seeks to limit the ways in which history is taught to the public and understood, especially by discouraging the incorporation of perspectives that might challenge simplified, one-dimensional, and biased views of American history. The implications of this order are far-reaching and challenge the historian’s profession to its very core. It proposes to rewrite history to reflect a glorified narrative that downplays or disappears elements of America’s history—slavery, segregation, discrimination, division—while suppressing the voices of historically excluded groups.
It is said that a picture is worth a thousand words. John Cole’s editorial cartoon, published in the Philadelphia Inquirer, speaks volumes about President Trump’s efforts to censor uncomfortable truths about the paradox of slavery and freedom at the President’s House.
In her order, U.S. District Judge Cynthia M. Rufe directed the Department of the Interior and the National Park Service to restore the President’s House Site to its physical status on January 21, 2026.
The Defendants appealed Judge Rufe’s order. Restoration of the President’s House was paused by Judge Thomas M. Hardiman of the Third Circuit Court of Appeals. The federal government does not have to fully restore the President’s House Site for the duration of the appeal. Judge Hardiman ordered the federal government to preserve the slavery memorial’s physical status on February 20, 2026.
Congressman Brendan F. Boyle has introduced legislation to permanently restore the President’s House Site. The Protecting American History Act requires the National Park Service to restore the federal slavery memorial to its physical status on January 21, 2026.
Congressman Boyle said:
The Trump administration’s decision to remove slavery-related exhibits at Independence National Historical Park was wrong. We are the United States of America. We don’t censor our history, and I am not going to allow the Trump administration to start censoring our nation’s history. So federal legislation is clearly needed.
Rep. Boyle’s bill would prohibit any future changes of any kind at Independence National Historical Park, which includes the President’s House Site, without prior approval from Congress. Reps. Dwight Evans and Mary Gay Scanlon are lead co-sponsors of the legislation.
In the wake of U.S. District Judge Cynthia M. Rufe’s order to restore the President’s House Site to its physical status as of January 21, 2026, the National Park Service began to reinstall the interpretive panels that were yanked from the walls.
The deadline to restore the President’s House Site was February 20, 2026 at 5:00 PM. The Department of the Interior and the National Park Service appealed Judge Rufe’s order to the Third Circuit Court of Appeals.
With an hour to go before the 5:00 PM deadline, Judge Thomas M. Hardiman granted a stay of execution. The federal government does not have to fully restore the President’s House Site for the duration of the appeal. Judge Hardiman ordered the federal government to preserve the slavery memorial’s physical status as of February 20, 2026.
The federal government cannot remove the 16 interpretive glass panels that were reinstalled or turn off the four functioning video monitors (the fifth monitor was nonfunctional prior to January 21, 2026). So, for the foreseeable future, the President’s House Site will be a mashup of the original glass panels and signs of creative resistance.
I spent the first day of Black History Month at the President’s House Site. Twenty days later, I was back at the slavery memorial leading a Truth in History Teach-In organized by the Association of Philadelphia Tour Guides. I shared stories about the nine Black enslaved people who worked and lived in the shadow of the Liberty Bell and Independence Hall. I told the history that President Trump wants to whitewash, including Ona Judge who “absconded from the household of the President of the United States” on May 21, 1796.
Nine months later, President Washington’s enslaved chef, Hercules Posey, self-emancipated from Mount Vernon on February 22, 1797, Washington’s 65th birthday.
I am nominating Hercules Posey, the nation’s first celebrity chef, for a Pennsylvania historical marker. If the nomination is approved, Hercules will join Ona whose marker was dedicated in 2023.
Invoking President Trump’s Executive Order, “Restoring Truth and Sanity to American History,” the National Park Service executed “a jarring alteration to the integrity of the [President’s House] site” on January 22, 2026.
On Washington’s Birthday, better known as Presidents’ Day, U.S. District Judge Cynthia Rufe rebuked President Trump’s claim to “the truth.” In her opinion granting the City of Philadelphia’s motion for a preliminary injunction, Judge Rufe invoked George Orwell:
And yet, in its argument, the government claims it alone has the power to erase, alter, remove and hide historical accounts on taxpayer and local government-funded monuments within its control. Its claims in this regard echo Big Brother’s domain in Orwell’s 1984, where:
The largest section of the [government’s] Records Department . . . consisted simply of persons whose duty it was to track down and collect all copies of books, newspapers, and other documents which had been superseded and were due for destruction. A number of the Times [a newspaper] which might, because of changes in political alignment, or mistaken prophesies uttered by Big Brother, have been rewritten a dozen times still stood on the files bearing its original date, and no other copy existed to contradict it. Books, also, were recalled and rewritten again and again, and were invariably reissued without any admission that any alteration had been made. Even the written instructions [for workers in the Records Department] . . . never stated or implied that an act of forgery was to be committed; always the reference was to slips, errors, misprints, or misquotations which it was necessary to put right in the interests of accuracy.
Much to his dismay, President Trump does not have the authority to dictate “the truth”:
The government here likewise asserts truth is no longer self-evident, but rather the property of the elected chief magistrate and his appointees and delegees, at his whim to be scraped clean, hidden, or overwritten. And why? Solely because, as Defendants state, it has the power.
Judge Rufe made it clear that she’s not telling the government what message to convey; rather, whatever message is conveyed at the President’s House Site must be done in consultation with the City:
The government can convey a different message without restraint elsewhere if it so pleases, but it cannot do so to the President’s House until it follows the law and consults with the City.
Judge Rufe ordered the Department of the Interior and the National Park Service to restore the President’s House Site to its physical status as of January 21, 2026 and “reinstall all panels, displays, and video exhibits that were previously in place.”
When Judge Rufe made a site visit, she saw that the Park Service cleared the snow on Independence Mall and left the President’s House Site covered in snow and ice.
Judge Rufe ordered the Defendants “to provide immediate, continuing, and proper maintenance to the Site, its exhibits, grounds [emphasis added], artifacts, video monitors, and recordings which SHALL remain operable.”
Dr. Carter G. Woodson launched Negro History Week in 1926 to honor African American contributions that were “overlooked, ignored, and even suppressed by the writers of history textbooks and the teachers who use them.” February was chosen because Black Americans already celebrated the birthdays of the Great Emancipator Abraham Lincoln (February 12) and the Great Orator Frederick Douglass (February 14).
One hundred years ago, to help highlight these achievements, Dr. Carter G. Woodson founded the Association for the Study of Afro-American Life and History. We are grateful to him today for his initiative, and we are richer for the work of his organization.
Freedom and the recognition of individual rights are what our Revolution was all about. They were ideals that inspired our fight for Independence: ideals that we have been striving to live up to ever since. Yet it took many years before these ideals became a reality for black citizens.
Fifty years later, President Donald Trump is sending a different message. Trump aggregates unto himself the authority to overlook, ignore and suppress Black history, and whitewash “what our Revolution was all about.”
Without notice to the City of Philadelphia, the National Park Service dismantled the President’s House Site which opened on December 15, 2010 after years of cooperation between the Park Service, the City and the public.
On the eve of Black History Month, a hearing was held (here and here) in federal district court on the City’s motion for a preliminary injunction to stop the suppression of the history of slavery. The City wants U.S. District Judge Cynthia M. Rufe to order the Defendants to restore the President’s House Site to its status as of January 21, 2026.
The Defendants claim “the National Park Service is the sole decision maker as to what is exhibited on its property.” They claim that President Trump has absolute authority to order the signs removed. The “administration issued the executive order that resulted in this action… The government gets to choose the message it wants to convey.”
Judge Rufe said “that’s a dangerous statement. That’s horrifying to listen to. [History] changes on the whim of someone in charge? Sorry. That’s not what we elected anybody for.”
Judge Rufe plans to inspect the displays removed from the President’s House. She also will visit the site. When she does, she will see the Park Service cleared the snow on Independence Mall and left the President’s House Site covered in snow and ice.
Judge Rufe is likely to issue her ruling in March 2026.
In the meantime, I spent the first day of Black History Month at the President’s House Site. I posted the “runaway slave” ad that Frederick Kitt, steward of the presidential household, placed in the Philadelphia Gazette & Universal Daily Advertiser offering a ten-dollar reward for the return of Oney Judge who “absconded from the household of the President of the United States.”
It was heartwarming to see the steady stream of visitors in the bitter cold and the creative forms of resistance.
As soon as the weather breaks, I plan to reserve People’s Plaza, the public square near the President’s House Site where protesting is allowed. I will set up my boombox and play protest songs. I expect the Park Service will “say my music’s too loud.”
UPDATE: On February 2, 2026, Judge Cynthia M. Rufe conducted a visual inspection of the signs removed from the President’s House Site by the National Park Service. Thirty-four panels were removed, some of which “exhibited damage.” The panels are stored in a secure location at the National Constitution Center.
“The government is ORDERED to continue to securely store all removed panels and to mitigate any further deterioration or damage.”
With respect to the Memorial, the enclosed space near the entrance to the Liberty Bell Center that is in the footprint of President Washington’s slave quarters, “no further removal and/or destruction of the President’s House site will be permitted until further order of the Court.”
Civil rights icon and Nobel Peace Prize laureate Martin Luther King Jr. was born on January 15, 1929 in Atlanta, Georgia. Dr. King celebrated his last birthday in 1968.
Stevie Wonder helped build support for a national holiday “to show just how much we love” the drum major for justice. In the inner sleeve of Hotter Than July (1980), Stevland Morris a/k/a Stevie Wonder wrote:
It is believed that for a man to lay down his life for the love of others is the supreme sacrifice. Jesus Christ by his own example showed us that there is no greater love. For nearly two thousand years now we have been striving to have the strength to follow that example. Martin Luther King was a man who had that strength. He showed us, non-violently, a better way of life, a way of mutual respect, helping us to avoid much bitter confrontation and inevitable bloodshed. We still have a long road to travel until we reach the world that was his dream. We in the United States must not forget either his supreme sacrifice or that dream.
I and a growing number of people believe that it is time for our country to adopt legislation that will make January 15, Martin Luther King’s birthday, a national holiday, both in recognition of what he achieved and as a reminder of the distance which still has to be traveled.
Join me in the observance of January 15, 1981 as a national holiday.
Master silhouette artist Moses Wlliams passed away on December 13, 1830. Born into slavery in August 1776, Moses lived in the shadow of his enslaver, Charles Willson Peale. Moses grew up in the same household with Peale’s children, but he was denied the opportunity to learn the fine art of painting that was afforded his enslaver’s children.
Moses made a way out of no way. He excelled as a silhouette artist and earned a place in history. Moses’ Pennsylvania historical marker will be dedicated in 2026, the 250th anniversary of his birth.
Moses was interred at Northwest Burial Ground on December 20, 1830. Sometime between 1853 and 1868, the burial ground was sold, the bodies disinterred, and a church constructed on the site. Some of the remains were removed to Section 203 at Mount Moriah Cemetery in 1868 under a monument that reads: “Sacred to the memory of the dead whose remains were removed from the 16th and Coates St. Cemetery of St. Georges M. E. Church Philadelphia to this place in the year 1868.”
Mount Moriah has no record that Moses’ remains were among those reinterred in Section 203. In the absence of a final resting place, All That Philly Jazz Director Faye Anderson plastered the only known image of Moses in Freeman Alley, a graffitied place of remembrance in New York City.
Pasting over others’ stickers is part of the culture of Freeman Alley.
When Moses Williams’ historical marker is unveiled in 2026, he will have a permanent place in public memory.
The dedication ceremony is open to the public. If you are interested in attending, send your name and email address to phillyjazzapp@gmail.com.
A few days before Fall of Freedom walking tour of Billie Holiday’s Philadelphia, the Philadelphia Inquirer published All That Philly Jazz Director Faye Anderson’s opinion piece in which she wrote:
No artist has met the moment with more courage than Lady Day, whose 1939 recording of “Strange Fruit” was named song of the century by Time magazine in 1999, and was added to the National Recording Registry in 2002.
“Strange Fruit” is a timeless and empowering act of creative resistance
While Holiday is sui generis, jazz musicians were the vanguard of the civil rights movement.
At so-called black and tan clubs like the Down Beat and the Blue Note, Black and white people intermingled on an equal basis for the first time.
Jazz clubs were constantly harassed by Philadelphia police led by vice squad Capt. Clarence Ferguson and his protégé, Inspector Frank Rizzo. The nightspots became battlegrounds in the struggle for racial justice. Jazz musicians’ unbowed demeanor fashioned a new racial identity
[…]
Courage is contagious. When we gather on South Broad, we are the resistance.
In collaboration with Scribe Video Center, the walking tour began at the Academy of Music where Billie had several engagements, including on May 6, 1946.
We stopped at the former location of the Radnor Hotel, a Green Book site, where Billie and her husband-manager, Louis McKay, were arrested on February 23, 1956. The raid was led by Captain Clarence Ferguson of the Philadelphia Police vice squad. The arrest is depicted in the biopic United States vs. Billie Holiday.
The penultimate stop was the site of Emerson’s Tavern, the jazz club where Billie last performed in Philadelphia. Emerson’s is the setting for the Broadway play, “Lady Day at Emerson’s Bar and Grill.”
The walk and talk ended at the former Attucks Hotel where on May 15, 1947, Billie’s room was raided while she was performing at the Earle Theater. Billie got a heads-up and fled to New York City where three days later she was arrested. She was subsequently convicted of narcotics possession and sentenced to one year and one day. Billie served her time at Alderson Federal Prison Camp in West Virginia.
The following Monday, Faye plastered the sticker that was given to participants all over Freeman Alley, a graffitied place of remembrance on the Lower East Side. Freedman Alley is located about a mile from Café Society, the Greenwich Village jazz club where Billie first sang “Strange Fruit.”
In the participant feedback survey, Faye expressed her hope that Fall of Freedom would lead to Winter of Our Discontent and Freedom Summer.
Authoritarian regimes throughout history have targeted artists and cultural institutions. Early in his administration, President Trump issued an executive order that targeted the Smithsonian Institution.
Trump has taken over federal arts agencies and installed himself as chairman of the John F. Kennedy Center for the Performing Arts. He threatens to withhold federal funding from organizations that do not bend the knee.
Nina Simone said an artist’s duty is to reflect the times and the situations in which they find themselves.
Today, we find ourselves in a situation in which Trump wants to control the narrative.
Fall of Freedom issued an urgent call to artists, creators and cultural workers to stand united against the assault on our constitutional rights and authoritarian control. Fall of Freedom is a celebration of art, courage, and free expression.
No artist reflected the times more courageously than Billie Holiday whose recording of “Strange Fruit” was named Song of the Century by Time magazine in 1999 and included in the National Recording Registry in 2002.
The walking tour will be guided by All That Philly Jazz Director Faye Anderson whose advocacy led to Billie’s induction into the Philadelphia Walk of Fame. We will visit the venues where Billie sang, the hotels where she stayed, and the site of the jazz club immortalized in the Tony Award®-winning “Lady Day at Emerson’s Bar and Grill.”
Along the way, we will stop at places connected to Nina Simone and Paul Robeson, artists who, like Billie, used their voices to speak truth to power.
The event is free and open to all, but registration is required. To reserve your spot, scan the QR code or go here.
Art matters. Courage is contagious. We are the resistance.
PHL Watchdog 