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Category: President Trump
Save Our Signs Launches the People’s Archive of National Park Signs
The federal government shutdown has paused the whitewashing of American history prescribed by the Secretary of the Interior’s order implementing President Trump’s Executive Order, “Restoring Truth and Sanity to American History.” It is insane to believe that “truth” is on the side of Trump and his monochromatic and chaotic administration.
The Save Our Signs project is a crowdsourced archive dedicated to documenting and preserving signs, exhibits and plaques at National Park Service sites. SOS has launched an open-access, searchable digital archive of photographs of interpretive signs taken by visitors to National Park Service sites. As of October 13, 2025, the SOS Archive has over 10,000 photos.
In a statement, Jenny McBurney, Government Publications Librarian at the University of Minnesota and SOS co-founder, said:
I’m so excited to share this collaborative photo collection with the public. As librarians, our goal is to preserve the knowledge and stories told in these signs. We want to put the signs back in the people’s hands. We are so grateful for all the people who have contributed their time and energy to this project. The outpouring of support has been so heartening. We hope the launch of this archive is a way for people to see all their work come together.
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The SOS Archive includes an online collection of the crowdsourced photos organized by NPS site, and a spreadsheet that houses volunteer-provided details for each individual photo submission. In addition to the name of the park, this includes the date that the photo was taken, and may include the title of the sign, if it was submitted by the volunteer.
SOS is still collecting photos. To add your photos, go here.
Collective Resistance to Censorship
Since his return to the White House, President Trump has punished individuals and institutions that refuse to bend the knee. In a guest essay published in the New York Times, Henry J. Farrell, a professor of democracy and international affairs at Johns Hopkins University, argues that collective action is the best defense against authoritarianism:
President Trump is trying to seize power that he is not entitled to under the law or the Constitution.
But Mr. Trump will fail in remaking American politics if people and institutions coordinate against him, which is why his administration is targeting businesses, nonprofits and the rest of civil society, proposing corrupting bargains to those who acquiesce and punishing holdouts to terrify the rest into submission.
This is one part of Mr. Trump’s bigger agenda to remake American politics so that everyone wants to be his friend and no one dares to be his enemy.
[…]
Those who oppose authoritarianism have to play a different game, creating solidarity among an unwieldy coalition, which knows that if everyone holds together, they will surely succeed.
Coordinated resistance stopped the National Park Service from removing interpretive signs at the President’s House for now.
In a recent editorial, the Philadelphia Inquirer acknowledged the impact of vigilance and collective courage:
Kudos to everyone who pushed back against Donald Trump’s attempt to whitewash the history of slavery at the President’s House site near the Liberty Bell.
Trump’s ridiculous executive order instructed the National Park Service to remove or cover up displays on federal sites that “inappropriately disparage Americans past or living.”
The arbitrary Sept. 17 deadline to remove the material has passed. For now, the President’s House exhibits remain untouched. But vigilance is still required, given Trump’s erratic policy approach and alarming cognitive state.
I am name-checked in the editorial. All That Philly Jazz is one of 255 signatories to an open statement pushing back against Trump’s attacks on arts and cultural institutions.
Mobilized by the National Coalition Against Censorship and the Vera List Center for Art and Politics, we are standing together to resist censorship:
Arts and culture bring people together. They spark joy, foster belonging, enrich communities, and help us imagine new possibilities. Arts and culture also open space for complexity—for grappling with different perspectives, for hearing what we might rather ignore, and for facing what makes us uncomfortable. Cultural organizations, including art, culture, history, and science museums, as well as libraries, theaters, and dance and performance spaces, make these encounters possible. They are key to the functioning of a democracy, as they promote freedom of expression, encourage critical thinking, and create important opportunities for public discussion and dissent.
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As contributors to the sphere of art and culture, and as representatives of US art and cultural institutions that create space for art, ideas, innovation, and public engagement, we stand firm in the shared values that make for a robust arts and culture landscape: free expression, active debate, responsibility, and care.
Add your voice to the resistance at collective-courage.com.
Philadelphia City Council Condemns Whitewashing of American History
Majority Leader Katherine Gilmore Richardson introduced a resolution on behalf of Council President Kenyatta Johnson condemning President Donald Trump’s “efforts to whitewash, suppress, and rewrite American history” on September 18, 2025.
Resolution No. 250776 reads, in part:
WHEREAS, Black history is an essential and inseparable part of American history; and
WHEREAS, President Donald Trump has repeatedly taken actions to dismantle decades of efforts to promote equity and historical truth, including his Executive Orders ending DEI initiatives, restricting gender affirming healthcare, and eroding fundamental civil rights protections; and
WHEREAS, President Trump recently issued an order directing the removal of factual materials now labeled as “corrosive ideology” that criticizes historic American figures, a directive that has been interpreted to include the elimination of slavery related content from national parks; and
WHEREAS, This action will directly impact Philadelphia’s Independence National Historical Park, which features an exhibit honoring the nine individuals enslaved by President George Washington; and
WHEREAS, Independence National Historical Park’s exhibit was developed through the tireless advocacy of the Avenging the Ancestors Coalition; and
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WHEREAS, The removal of such content not only dishonors those whose stories are told, but undermines the nation’s ongoing efforts to reckon with its past to foster an inclusive and more just future; and
WHEREAS, This legislative body is committed to preserving and amplifying the voices and histories of its diverse communities, and stands firmly against efforts who suppress and erase part of our shared history; now, therefore, be it
RESOLVED, THAT THE COUNCIL OF THE CITY OF PHILADELPHIA, Hereby condemns President Donald Trump’s recent efforts to whitewash, suppress, and rewrite American history by removing slavery related content from national parks including an exhibit at Independence National Historical Park honoring the nine individuals enslaved by President George Washinton, developed by the Avenging the Ancestors Coalition thereby attempting to erase Black history from the national narrative.
City Council will vote on the resolution during the September 25, 2025 session. While final passage is assured, I plan to offer public comment in support of the resolution. We need to send a clear message to the bully in the White House: We in the City of Philadelphia will not bend the knee and meekly submit to your attempts to whitewash American history.
UPDATE: City Council passed Resolution No. 250776 by a vote of 13-0 on September 25, 2025. Council President Kenyatta Johnson said:
We’re making sure that we are prepared to exhaust all of our options when it comes to legally or legislatively.
Johnson added, “We want to continue fighting back so the exhibit stays in place.”
Whitewashing American History
Harriet Tubman began her journey to freedom on Monday, September 17, 1849.
On Monday, September 15, 2025, the Washington Post reported on President Trump’s plan to whitewash the everyday brutality of slavery, including removing the photograph of self-emancipated Peter from Fort Pulaski National Monument in Georgia. The photograph of “a typical Negro” was first published in Harper’s Weekly on July 4, 1863.
Abolitionists used the iconic photograph to raise awareness of “how bad slavery was.” I recently viewed an original print of “The Scourged Back” at the Metropolitan Museum of Art.
President Trump wants to erase the truth that President George Washington enslaved nine Black people and signed into law the Fugitive Slave Act of 1793 in the shadow of the Liberty Bell.
According to the Post, interpretive panels at the President’s House have been flagged for removal:
In his executive order, Trump singled out the “corrosive ideology” at Philadelphia’s Independence National Historical Park, where the founders signed the Declaration of Independence.
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“This is not just a handful of signs that tell the story of slavery,” said Ed Stierli, senior Mid-Atlantic regional director at the advocacy group National Parks Conservation Association. “This is a place that tells the complete story not just of slavery in America, but what it was like for those who were enslaved by George Washington.”
Trying to extricate slavery from the President’s House exhibit would fundamentally change the nature of the site, said Cindy MacLeod, who was superintendent of Independence National Historical Park for 15 years until 2023.
I have President Trump fatigue. And I’m not alone. According to the latest Quinnipiac poll, only 37 percent of voters approve of the way Trump is handling his job; 55 percent disapprove.
There are signs of resistance to the chaos and madness. So this Labor Day, the message is in the music.
President Trump’s ‘Truth’ Echoes 1984
In my recent opinion piece published in the Philadelphia Inquirer, I wrote: “The review of content at the President’s House is an Orwellian descent into censorship. It’s interpretive panels and books today. Will it be National Park Service videos and trading cards tomorrow?
Two days later, President Trump applied new pressure on Smithsonian interpretive texts and exhibitions. The Washington Post reported that White House officials are conducting a comprehensive review of Smithsonian museums:
The White House will launch a sweeping review of Smithsonian exhibitions, collections and operations ahead of America’s 250th-birthday celebrations next year — the first time the Trump administration has detailed steps to scrutinize the institution, which officials say should reflect the president’s call to restore “truth and sanity” to American history.
The vetting process would include reviewing public-facing and online content, curatorial processes and guidelines, exhibition planning and collection use, according to a letter sent to Smithsonian Secretary Lonnie G. Bunch III on Tuesday and signed by White House senior associate Lindsey Halligan, Domestic Policy Council Director Vince Hale and White House Office of Management and Budget chief Russell Vought.
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The letter states that the initial review will focus on eight museums: the National Museum of American History, the National Museum of Natural History, the National Museum of African American History and Culture, the National Museum of the American Indian, the National Air and Space Museum, the Smithsonian American Art Museum, the National Portrait Gallery and the Hirshhorn Museum and Sculpture Garden.
The American Association for State and Local History denounced the White House’s interference:
For nearly two centuries, the Smithsonian has served as a globally renowned model of scholarship and public engagement. Smithsonian museums and sites are beloved, trusted destinations for millions of visitors annually looking to gain knowledge, spark curiosity, and find connection. The administration is maligning the expertise and autonomy of an institution that represents the pinnacle of museum and scholarly practice.
This pressure on Smithsonian history museums, in particular, reveals the administration’s ambition to delegitimize the work of the history field and to rob the public of its ability to learn from the past. Sound historical practice depends upon meticulous research of a wide array of sources, open-minded embrace of complexity and ambiguity, and a willingness to update understandings as new information arises. Time and again, Americans have said that they want our country’s full story. Censoring and manipulating content to fit a predetermined, triumphalist narrative is the antithesis of historical practice and a disservice to us all.
Smithsonian exhibitions are grounded in scholarly research. The ahistorical, willfully ignorant Trump wants to impose his interpretation of American history.
Truth is, Trump knows little, if anything, about Black history. He thought Frederick Douglass was still alive in 2017.
While gleaning clues from Project 2025, Trump’s whitewashing of American history is foretold in George Orwell’s 1984:
The Party told you to reject the evidence of your eyes and ears. It was their final, most essential command.
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And if all others accepted the lie which the Party imposed—if all records told the same tale—then the lie passed into history and became truth.
Trump’s Big Lie that the Smithsonian had “come under the influence of a divisive, race-centered ideology” is straight out of the dictator’s playbook.
Learn From History
In Gulliver’s Travels, Jonathan Swift wrote: “I said there was a society of men among us, bred up from their youth in the art of proving, by words multiplied for the purpose, that white is black, and black is white, according as they are paid. To this society all the rest of the people are slaves.”
President Trump claims he wants to restore “truth and sanity to American history.” Facing the threat of termination, National Park Service employees may be forced to acquiesce to the insane notion of “a concerted and widespread effort to rewrite our Nation’s history, replacing objective facts with a distorted narrative driven by ideology rather than truth.”
For the wannabe king, the truth is what he says it is.
In a joint statement, the American Association for State and Local History, Organization of American Historians, Association for the Study of African American Life and History, Association of African American Museums, and National Council on Public History, denounced Trump’s diktat to rewrite history:
National Park Service (NPS) sites are being forced to remove historical content that the White House views as “negative about either past or living Americans.” This top-down directive erases people and events that do not fit within a narrow, triumphalist view of history.
What makes this erasure even more alarming is that the U.S. Department of the Interior (DOI), which runs NPS, is couching its censorship efforts in the very terms that historians and educators often use to explain their own work. Federal officials are eliminating the experiences of Native Americans, African Americans, women, members of the LGBTQ+ community, and others from history while calling it—to quote a DOI spokesperson—“honest, respectful storytelling” that “honor[s] the complexity of our nation’s shared journey.” In fact, they are doing the opposite. And requiring knowledgeable NPS staff to attribute these alterations to the White House’s interest in “historical accuracy” is doubly deceptive and contrary to the professional standards by which historians conduct their work.
Our country’s 433 NPS sites, which serve millions of visitors per year, are just the starting point for this skewed approach to history, but they will not be the last. Recent pressure on the Smithsonian Institution, National Endowment for the Humanities, Institute for Museum and Library Services, and others show just how far this administration is willing to go to distort the past toward ideological aims in the present. This drive to sanitize and warp history endangers vital sources of public knowledge, from state and local history museums to social studies classrooms to libraries.
The President’s House
The President’s House: Freedom and Slavery in the Making of a New Nation, an open-air installation, was dedicated on December 15, 2010. The National Park Service site pays homage to the nine enslaved people in the household of President George Washington – Austin, Christopher Sheels, Giles, Hercules, Joe, Moll, Oney Judge, Paris and Richmond.
The President’s House at Independence National Historical Park was born out of protest.
In a sign of the times, the President’s House is in the crosshairs of President Trump who wants to sugarcoat and whitewash American history. The Philadelphia Inquirer reports the site has been flagged for content review:
The President’s House Site, where Presidents George Washington and John Adams once lived, came under particular scrutiny with six exhibits flagged for review. The exhibit focuses on the contradictory coexistence of liberty and slavery during the founding of America and memorializes the people Washington enslaved.
For instance, park staff commented on a display titled “Life Under Slavery,” flagging that it “speaks of whipping, depriving of food, clothing, and shelter; as well as beating, torturing, and raping those they enslaved.”
[…]
Thirteen specific items spread across six exhibits at the site were identified for review.
This includes components of displays titled: “Life Under Slavery,” “History Lost & Found,” “The Executive Branch,” “The Dirty Business of Slavery,” “The House and the People Who Worked & Lived In It,” and an illustration with the words “An Act respecting fugitives from Justice,” in reference to Washington’s signing of the Fugitive Slave Act, according to an internal form, reviewed by The Inquirer, where employees were directed to submit their reviews.
In 2002, the NPS had planned to ignore the full and accurate history of the site. The Liberty Bell Center, then-under construction, is in the footprint of President Washington’s slave quarters (circled).
Attorney Michael Coard, a founder of Avenging The Ancestors Coalition, was a member of the President’s House Project Oversight Committee which oversaw development and construction of the site. Coard led the charge to tell the full story.
We will resist any attempt to erase the complicated history of this memory site.
As we protest to preserve the physical structure and interpretive panels, we also will use digital technologies and 3D modeling to reconstruct the President’s House and outbuildings without constraint or compromise.
The President’s House.ai will be accessible to visitors on any device or browser anywhere in the world.
We will create AI-generated avatars of the nine African descendants enslaved by President Washington, including Ona Judge (1773-1848) and Hercules Posey (1748-1812).
Visitors to the President’s House.ai will be able to hold real-time conversations with the AI ancestors. The avatars’ training will be grounded in trusted primary and secondary sources.
AI Ona will spill the tea on how she escaped from bondage.
President Washington placed an advertisement in the May 24, 1796 edition of The Philadelphia Gazette and Universal Daily Advertiser offering a $10 reward (roughly $365 today) for the capture of Oney Judge.
As activists, historians, architects and technologists resist President Trump’s efforts to censor uncomfortable truths, the witless president unwittingly triggered the Streisand Effect.
Freedom School for Web Archiving
In the summer of 1964, the Council of Federated Organizations (COFO) launched the Mississippi Freedom Summer Project. In addition to voter education, COFO organized 41 Freedom Schools where Black children were taught reading, writing and arithmetic, as well as Black history and culture.
In the winter of 2025, President Donald Trump signed an executive order to whitewash American history. Federal agencies are deleting webpages.
In a memorandum, Assistant to the Secretary of Defense for Public Affairs Sean Parnell wrote:
By March 5, 2025, Components must take all practicable steps, consistent with records management requirements, to remove all DoD news and feature articles, photos, and videos that promote Diversity, Equity, and Inclusion (DEI). All articles, photos, and videos removed from DoD websites and social media platforms must be archived and retained in accordance with applicable records management policies/
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Social Media Content: Components must remove and follow records management requirements for DEI content removed from all official DoD social media accounts. If Components cannot remove DEI content from DoD social media accounts by March 5, 2025, they must temporarily remove from public display all news articles, photos and videos published between January 20, 2021, and January 19, 2025, until the content is fully reviewed and DEI content removed. While DBI-related content outside of this date range must also be removed, articles, photos, and videos from the last four years are the immediate priority to align DoD communication with the current Administration.
Federal agencies plan to decommission hundreds of websites. We must be intentional and fight the erasure of webpages related to Black history and culture.
Inspired by the freedom schools of the Civil Rights Movement, Archiving the Black Web (ATBW) has organized the Freedom School for Web Archiving, a series of webinars that will train “new generations of memory workers to preserve and steward online content that reflects the Black experience… Participants will gain foundational skills in web archiving—whether for personal, community, or institutional use—and explore how this work resists erasure, disinformation, and historical revisionism.”
The Freedom School for Web Archiving is free and open to the public. To register for a webinar, go here.
PHL Watchdog 