The President’s House

Save Our Signs Launches the People’s Archive of National Park Signs

The federal government shutdown has paused the whitewashing of American history prescribed by the Secretary of the Interior’s order implementing President Trump’s Executive Order, “Restoring Truth and Sanity to American History.” It is insane to believe that “truth” is on the side of Trump and his monochromatic and chaotic administration.

The Save Our Signs project is a crowdsourced archive dedicated to documenting and preserving signs, exhibits and plaques at National Park Service sites. SOS has launched an open-access, searchable digital archive of photographs of interpretive signs taken by visitors to National Park Service sites. As of October 13, 2025, the SOS Archive has over 10,000 photos.

In a statement, Jenny McBurney, Government Publications Librarian at the University of Minnesota and SOS co-founder, said:

I’m so excited to share this collaborative photo collection with the public. As librarians, our goal is to preserve the knowledge and stories told in these signs. We want to put the signs back in the people’s hands. We are so grateful for all the people who have contributed their time and energy to this project. The outpouring of support has been so heartening. We hope the launch of this archive is a way for people to see all their work come together.

[…]

The SOS Archive includes an online collection of the crowdsourced photos organized by NPS site, and a spreadsheet that houses volunteer-provided details for each individual photo submission. In addition to the name of the park, this includes the date that the photo was taken, and may include the title of the sign, if it was submitted by the volunteer.

SOS is still collecting photos. To add your photos, go here.

Collective Resistance to Censorship

Since his return to the White House, President Trump has punished individuals and institutions that refuse to bend the knee. In a guest essay published in the New York Times, Henry J. Farrell, a professor of democracy and international affairs at Johns Hopkins University, argues that collective action is the best defense against authoritarianism:

President Trump is trying to seize power that he is not entitled to under the law or the Constitution.

But Mr. Trump will fail in remaking American politics if people and institutions coordinate against him, which is why his administration is targeting businesses, nonprofits and the rest of civil society, proposing corrupting bargains to those who acquiesce and punishing holdouts to terrify the rest into submission.

This is one part of Mr. Trump’s bigger agenda to remake American politics so that everyone wants to be his friend and no one dares to be his enemy.

[…]

Those who oppose authoritarianism have to play a different game, creating solidarity among an unwieldy coalition, which knows that if everyone holds together, they will surely succeed.

Coordinated resistance stopped the National Park Service from removing interpretive signs at the President’s House for now.

In a recent editorial, the Philadelphia Inquirer acknowledged the impact of vigilance and collective courage:

Kudos to everyone who pushed back against Donald Trump’s attempt to whitewash the history of slavery at the President’s House site near the Liberty Bell.

Trump’s ridiculous executive order instructed the National Park Service to remove or cover up displays on federal sites that “inappropriately disparage Americans past or living.”

The arbitrary Sept. 17 deadline to remove the material has passed. For now, the President’s House exhibits remain untouched. But vigilance is still required, given Trump’s erratic policy approach and alarming cognitive state.

I am name-checked in the editorial. All That Philly Jazz is one of 255 signatories to an open statement pushing back against Trump’s attacks on arts and cultural institutions.

Mobilized by the National Coalition Against Censorship and the Vera List Center for Art and Politics, we are standing together to resist censorship:

Arts and culture bring people together. They spark joy, foster belonging, enrich communities, and help us imagine new possibilities. Arts and culture also open space for complexity—for grappling with different perspectives, for hearing what we might rather ignore, and for facing what makes us uncomfortable. Cultural organizations, including art, culture, history, and science museums, as well as libraries, theaters, and dance and performance spaces, make these encounters possible. They are key to the functioning of a democracy, as they promote freedom of expression, encourage critical thinking, and create important opportunities for public discussion and dissent.

[…]

As contributors to the sphere of art and culture, and as representatives of US art and cultural institutions that create space for art, ideas, innovation, and public engagement, we stand firm in the shared values that make for a robust arts and culture landscape: free expression, active debate, responsibility, and care.

Add your voice to the resistance at collective-courage.com.

Philadelphia City Council Condemns Whitewashing of American History

Majority Leader Katherine Gilmore Richardson introduced a resolution on behalf of Council President Kenyatta Johnson condemning President Donald Trump’s “efforts to whitewash, suppress, and rewrite American history” on September 18, 2025.

Resolution No. 250776 reads, in part:

WHEREAS, Black history is an essential and inseparable part of American history; and

WHEREAS, President Donald Trump has repeatedly taken actions to dismantle decades of efforts to promote equity and historical truth, including his Executive Orders ending DEI initiatives, restricting gender affirming healthcare, and eroding fundamental civil rights protections; and

WHEREAS, President Trump recently issued an order directing the removal of factual materials now labeled as “corrosive ideology” that criticizes historic American figures, a directive that has been interpreted to include the elimination of slavery related content from national parks; and

WHEREAS, This action will directly impact Philadelphia’s Independence National Historical Park, which features an exhibit honoring the nine individuals enslaved by President George Washington; and

WHEREAS, Independence National Historical Park’s exhibit was developed through the tireless advocacy of the Avenging the Ancestors Coalition; and

[…]

WHEREAS, The removal of such content not only dishonors those whose stories are told, but undermines the nation’s ongoing efforts to reckon with its past to foster an inclusive and more just future; and

WHEREAS, This legislative body is committed to preserving and amplifying the voices and histories of its diverse communities, and stands firmly against efforts who suppress and erase part of our shared history; now, therefore, be it

RESOLVED, THAT THE COUNCIL OF THE CITY OF PHILADELPHIA, Hereby condemns President Donald Trump’s recent efforts to whitewash, suppress, and rewrite American history by removing slavery related content from national parks including an exhibit at Independence National Historical Park honoring the nine individuals enslaved by President George Washinton, developed by the Avenging the Ancestors Coalition thereby attempting to erase Black history from the national narrative.

City Council will vote on the resolution during the September 25, 2025 session. While final passage is assured, I plan to offer public comment in support of the resolution. We need to send a clear message to the bully in the White House: We in the City of Philadelphia will not bend the knee and meekly submit to your attempts to whitewash American history.

UPDATE: City Council passed Resolution No. 250776 by a vote of 13-0 on September 25, 2025. Council President Kenyatta Johnson said:

We’re making sure that we are prepared to exhaust all of our options when it comes to legally or legislatively.

Johnson added, “We want to continue fighting back so the exhibit stays in place.”

Whitewashing American History

Harriet Tubman began her journey to freedom on Monday, September 17, 1849.

On Monday, September 15, 2025, the Washington Post reported on President Trump’s plan to whitewash the everyday brutality of slavery, including removing the photograph of self-emancipated Peter from Fort Pulaski National Monument in Georgia. The photograph of “a typical Negro” was first published in Harper’s Weekly on July 4, 1863.

Abolitionists used the iconic photograph to raise awareness of “how bad slavery was.” I recently viewed an original print of “The Scourged Back” at the Metropolitan Museum of Art.

President Trump wants to erase the truth that President George Washington enslaved nine Black people and signed into law the Fugitive Slave Act of 1793 in the shadow of the Liberty Bell.

According to the Post, interpretive panels at the President’s House have been flagged for removal:

In his executive order, Trump singled out the “corrosive ideology” at Philadelphia’s Independence National Historical Park, where the founders signed the Declaration of Independence.

…

“This is not just a handful of signs that tell the story of slavery,” said Ed Stierli, senior Mid-Atlantic regional director at the advocacy group National Parks Conservation Association. “This is a place that tells the complete story not just of slavery in America, but what it was like for those who were enslaved by George Washington.”

Trying to extricate slavery from the President’s House exhibit would fundamentally change the nature of the site, said Cindy MacLeod, who was superintendent of Independence National Historical Park for 15 years until 2023.

The President’s House.ai

For more than 200 years, the nine enslaved people who lived in the Executive Mansion, located at 190 High (Market) Street in Philadelphia, were erased from history. This lost history was uncovered in 2002 and memorialized in the President’s House. The National Park Service site opened on December 15, 2010.

The story of slavery in the shadow of the Liberty Bell was whitewashed from the centennial, sesquicentennial and bicentennial celebrations of the signing of the Declaration of Independence.

For the Semiquincentennial, we will breathe life into President George Washington’s enslaved workers and say their names – Austin, Christopher, Giles, Hercules, Joe, Moll, Ona, Paris and Richmond – with joy.

In 1926, a group of women, the Women’s Committee of the Philadelphia Sesqui-Centennial International Exposition, reconstructed Revolutionary era buildings on the fairgrounds in South Philadelphia.

The Daughters of the American Revolution sponsored the George Washington House, aka the President’s House.

The “High Street” exhibit included period-accurate reenactors. The exhibit presented an idealized view of the Revolutionary era. The existence of slavery in the Executive Mansion was left out of the history of 190 High Street.

In 2026, a group of activists, architects, technologists and historians will digitally reconstruct the original President’s House and outbuildings.

Instead of reenactors, we will create period-accurate AI avatars of the nine Black people enslaved by President Washington, including his chief cook, Hercules Posey.

In his book, Recollections and Private Memoirs of the Life and Character of Washington, George Washington Parke Custis, the president’s step-grandson, gave a detailed description of an outfit that Hercules wore:

While the masters of the republic were engaged in discussing the savory viands of the Congress dinner, the chief cook retired to make his toilet for an evening promenade. His perquisites from the slops of the kitchen were from one to two hundred dollars a year. Though homely in person, he lavished the most of these large avails upon dress. In making his toilet his linen was of unexceptionable whiteness and quality, then black silk shorts, ditto waistcoat, ditto stockings, shoes highly polished, with large buckles covering a considerable part of the foot, blue cloth coat with velvet collar and bright metal buttons, a long watch-chain dangling from his fob, a cocked-hat, and gold-headed cane completed the grand costume of the celebrated dandy (for there were dandies in those days) of the president’s kitchen.

Custis recalled “the chief cook invariably passed out at the front door.”

The President’s House.ai is currently in development. For more information or to get involved, contact Project Director Faye Anderson at presidentshouseAI@gmail.com.

The President’s House

The President’s House: Freedom and Slavery in the Making of a New Nation, an open-air installation, was dedicated on December 15, 2010. The National Park Service site pays homage to the nine enslaved people in the household of President George Washington – Austin, Christopher Sheels, Giles, Hercules, Joe, Moll, Oney Judge, Paris and Richmond.

The President’s House at Independence National Historical Park was born out of protest.

In a sign of the times, the President’s House is in the crosshairs of President Trump who wants to sugarcoat and whitewash American history. The Philadelphia Inquirer reports the site has been flagged for content review:

The President’s House Site, where Presidents George Washington and John Adams once lived, came under particular scrutiny with six exhibits flagged for review. The exhibit focuses on the contradictory coexistence of liberty and slavery during the founding of America and memorializes the people Washington enslaved.

For instance, park staff commented on a display titled “Life Under Slavery,” flagging that it “speaks of whipping, depriving of food, clothing, and shelter; as well as beating, torturing, and raping those they enslaved.”

[…]

Thirteen specific items spread across six exhibits at the site were identified for review.

This includes components of displays titled: “Life Under Slavery,” “History Lost & Found,” “The Executive Branch,” “The Dirty Business of Slavery,” “The House and the People Who Worked & Lived In It,” and an illustration with the words “An Act respecting fugitives from Justice,” in reference to Washington’s signing of the Fugitive Slave Act, according to an internal form, reviewed by The Inquirer, where employees were directed to submit their reviews.

In 2002, the NPS had planned to ignore the full and accurate history of the site. The Liberty Bell Center, then-under construction, is in the footprint of President Washington’s slave quarters (circled).

Attorney Michael Coard, a founder of Avenging The Ancestors Coalition, was a member of the President’s House Project Oversight Committee which oversaw development and construction of the site. Coard led the charge to tell the full story.

We will resist any attempt to erase the complicated history of this memory site.

As we protest to preserve the physical structure and interpretive panels, we also will use digital technologies and 3D modeling to reconstruct the President’s House and outbuildings without constraint or compromise.

The President’s House.ai will be accessible to visitors on any device or browser anywhere in the world.

We will create AI-generated avatars of the nine African descendants enslaved by President Washington, including Ona Judge (1773-1848) and Hercules Posey (1748-1812).

Visitors to the President’s House.ai will be able to hold real-time conversations with the AI ancestors. The avatars’ training will be grounded in trusted primary and secondary sources.

AI Ona will spill the tea on how she escaped from bondage.

President Washington placed an advertisement in the May 24, 1796 edition of The Philadelphia Gazette and Universal Daily Advertiser offering a $10 reward (roughly $365 today) for the capture of Oney Judge.

As activists, historians, architects and technologists resist President Trump’s efforts to censor uncomfortable truths, the witless president unwittingly triggered the Streisand Effect.