Sixers’ Second Bad Call on East Market Street

This time last year, the billionaire owners of the Sixers were going hard for a new basketball arena on East Market Street. 76 Place was a public transit-oriented project hitched to a beleaguered public transit agency. Then as now, SEPTA is facing a fiscal cliff. U.S. Transportation Secretary Sean Duffy is threatening to push the mismanaged agency over the cliff.

Market East has been in decline for decades. Empty storefronts line the once thriving shopping district. The Sixers and their new bestie, Comcast, plan to demolish buildings and build, well, nothing. The Philadelphia Inquirer reported:

The companies that own the 76ers and Flyers earlier this year made a high-profile commitment to help transform the long-distressed East Market Street corridor.

The first development to come out of that promise? Perhaps a mini-soccer pitch. Or a pop-up beer garden.

The teams recently hired a contractor to demolish buildings they own on the 1000-block of the beleaguered thoroughfare with the goal of eventually erecting a major development that could help revitalize the area.

But, until then, City Councilmember Mark Squilla said Friday the teams and city leaders hope to “activate” the lots slated for demolition with “pop-up” opportunities related to the FIFA World Cup and the nation’s 250th birthday being hosted in Philadelphia next summer.

The Sixers and Comcast’s development plan to shoot first and aim later was shot down by the Design Advocacy Group:

In the meantime, the sports teams that now own many buildings on the 900 and 1000 blocks of Market Street are already planning to begin tearing them down with nothing more in mind than a “pop up” beer garden or miniature soccer field.

If popups are wanted by FIFA and the 250th, Market Street already has large demolition sites—the surface parking lot at 13th and Market and the gigantic “Disney Hole” at 8th and Market. Not far away is the gaping void on Jewelers Row, a cautionary tale about premature demolition. These places remind us of past failures where rushed demolition yielded no replacement.

Of course, Market Street needs dressing up in time for the flood of visitors we look forward to in 2026. And pop-ups on existing empty sites should be part of that. But it makes no sense to stage such impulsive demolition on Market Street to create spaces we don’t need now for the not yet planned projects that may come next.

UPDATE: The Philadelphia Inquirer Architecture Critic Inga Saffron doesn’t trust the Sixers and Comcast’s process:

The long-awaited effort to reinvent Market East began in the same bombshell manner as the Sixers’ arena proposal did three years ago — with no transparency and no planning.

First, the two new BFFs of the Philadelphia sports world — the Sixers and Comcast — blindsided Mayor Cherelle L. Parker (and the rest of us) by announcing that they intended to raze several buildings on the 1000 block of Market Street, an area covering half the block. As for what they would put in their place, well, they’ll get back to us on that.

This has to be the worst idea for fixing Market Street’s woes since the last bad idea: the Sixers basketball arena.

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Save Our Signs Launches the People’s Archive of National Park Signs

The federal government shutdown has paused the whitewashing of American history prescribed by the Secretary of the Interior’s order implementing President Trump’s Executive Order, “Restoring Truth and Sanity to American History.” It is insane to believe that “truth” is on the side of Trump and his monochromatic and chaotic administration.

The Save Our Signs project is a crowdsourced archive dedicated to documenting and preserving signs, exhibits and plaques at National Park Service sites. SOS has launched an open-access, searchable digital archive of photographs of interpretive signs taken by visitors to National Park Service sites. As of October 13, 2025, the SOS Archive has over 10,000 photos.

In a statement, Jenny McBurney, Government Publications Librarian at the University of Minnesota and SOS co-founder, said:

I’m so excited to share this collaborative photo collection with the public. As librarians, our goal is to preserve the knowledge and stories told in these signs. We want to put the signs back in the people’s hands. We are so grateful for all the people who have contributed their time and energy to this project. The outpouring of support has been so heartening. We hope the launch of this archive is a way for people to see all their work come together.

[…]

The SOS Archive includes an online collection of the crowdsourced photos organized by NPS site, and a spreadsheet that houses volunteer-provided details for each individual photo submission. In addition to the name of the park, this includes the date that the photo was taken, and may include the title of the sign, if it was submitted by the volunteer.

SOS is still collecting photos. To add your photos, go here.

Philadelphia City Council Condemns Whitewashing of American History

Majority Leader Katherine Gilmore Richardson introduced a resolution on behalf of Council President Kenyatta Johnson condemning President Donald Trump’s “efforts to whitewash, suppress, and rewrite American history” on September 18, 2025.

Resolution No. 250776 reads, in part:

WHEREAS, Black history is an essential and inseparable part of American history; and

WHEREAS, President Donald Trump has repeatedly taken actions to dismantle decades of efforts to promote equity and historical truth, including his Executive Orders ending DEI initiatives, restricting gender affirming healthcare, and eroding fundamental civil rights protections; and

WHEREAS, President Trump recently issued an order directing the removal of factual materials now labeled as “corrosive ideology” that criticizes historic American figures, a directive that has been interpreted to include the elimination of slavery related content from national parks; and

WHEREAS, This action will directly impact Philadelphia’s Independence National Historical Park, which features an exhibit honoring the nine individuals enslaved by President George Washington; and

WHEREAS, Independence National Historical Park’s exhibit was developed through the tireless advocacy of the Avenging the Ancestors Coalition; and

[…]

WHEREAS, The removal of such content not only dishonors those whose stories are told, but undermines the nation’s ongoing efforts to reckon with its past to foster an inclusive and more just future; and

WHEREAS, This legislative body is committed to preserving and amplifying the voices and histories of its diverse communities, and stands firmly against efforts who suppress and erase part of our shared history; now, therefore, be it

RESOLVED, THAT THE COUNCIL OF THE CITY OF PHILADELPHIA, Hereby condemns President Donald Trump’s recent efforts to whitewash, suppress, and rewrite American history by removing slavery related content from national parks including an exhibit at Independence National Historical Park honoring the nine individuals enslaved by President George Washinton, developed by the Avenging the Ancestors Coalition thereby attempting to erase Black history from the national narrative.

City Council will vote on the resolution during the September 25, 2025 session. While final passage is assured, I plan to offer public comment in support of the resolution. We need to send a clear message to the bully in the White House: We in the City of Philadelphia will not bend the knee and meekly submit to your attempts to whitewash American history.

UPDATE: City Council passed Resolution No. 250776 by a vote of 13-0 on September 25, 2025. Council President Kenyatta Johnson said:

We’re making sure that we are prepared to exhaust all of our options when it comes to legally or legislatively.

Johnson added, “We want to continue fighting back so the exhibit stays in place.”

Party with a Purpose at the Johnson House

September is International Underground Railroad Month, a celebration of the history and legacy of the Underground Railroad. Events highlight stories of the self-emancipators who used a covert network of antislavery activists and safe havens to escape bondage.

Frederick Douglass embarked on his journey to freedom on September 3, 1838. Harriet Tubman began her escape on September 17, 1849.

Archival records show that William Still, Father of the Underground Railroad, held meetings at the Johnson House, an Underground Railroad station in Philadelphia. The Johnson House Historic Site is a National Historic Landmark, the highest designation for a historic property.

With the whitewashing of American history, the Johnson House stands as a powerful memorial to faith, resilience and resistance.

This International Underground Railroad Month, the Johnson House will host a party with a purpose, Jammin’ in the Garden 2025: A Celebration of Music and Community, on Saturday, September 20, 2025, from 4:00pm to 7:00pm. The fundraiser will support their preservation work and the Center for Social Advocacy.

To get tickets, go here.

The President’s House.ai

For more than 200 years, the nine enslaved people who lived in the Executive Mansion, located at 190 High (Market) Street in Philadelphia, were erased from history. This lost history was uncovered in 2002 and memorialized in the President’s House. The National Park Service site opened on December 15, 2010.

The story of slavery in the shadow of the Liberty Bell was whitewashed from the centennial, sesquicentennial and bicentennial celebrations of the signing of the Declaration of Independence.

For the Semiquincentennial, we will breathe life into President George Washington’s enslaved workers and say their names – Austin, Christopher, Giles, Hercules, Joe, Moll, Ona, Paris and Richmond – with joy.

In 1926, a group of women, the Women’s Committee of the Philadelphia Sesqui-Centennial International Exposition, reconstructed Revolutionary era buildings on the fairgrounds in South Philadelphia.

The Daughters of the American Revolution sponsored the George Washington House, aka the President’s House.

The “High Street” exhibit included period-accurate reenactors. The exhibit presented an idealized view of the Revolutionary era. The existence of slavery in the Executive Mansion was left out of the history of 190 High Street.

In 2026, a group of activists, architects, technologists and historians will digitally reconstruct the original President’s House and outbuildings.

Instead of reenactors, we will create period-accurate AI avatars of the nine Black people enslaved by President Washington, including his chief cook, Hercules Posey.

In his book, Recollections and Private Memoirs of the Life and Character of Washington, George Washington Parke Custis, the president’s step-grandson, gave a detailed description of an outfit that Hercules wore:

While the masters of the republic were engaged in discussing the savory viands of the Congress dinner, the chief cook retired to make his toilet for an evening promenade. His perquisites from the slops of the kitchen were from one to two hundred dollars a year. Though homely in person, he lavished the most of these large avails upon dress. In making his toilet his linen was of unexceptionable whiteness and quality, then black silk shorts, ditto waistcoat, ditto stockings, shoes highly polished, with large buckles covering a considerable part of the foot, blue cloth coat with velvet collar and bright metal buttons, a long watch-chain dangling from his fob, a cocked-hat, and gold-headed cane completed the grand costume of the celebrated dandy (for there were dandies in those days) of the president’s kitchen.

Custis recalled “the chief cook invariably passed out at the front door.”

The President’s House.ai is currently in development. For more information or to get involved, contact Project Director Faye Anderson at presidentshouseAI@gmail.com.

President Trump’s ‘Truth’ Echoes 1984

In my recent opinion piece published in the Philadelphia Inquirer, I wrote: “The review of content at the President’s House is an Orwellian descent into censorship. It’s interpretive panels and books today. Will it be National Park Service videos and trading cards tomorrow?

Two days later, President Trump applied new pressure on Smithsonian interpretive texts and exhibitions. The Washington Post reported that White House officials are conducting a comprehensive review of Smithsonian museums:

The White House will launch a sweeping review of Smithsonian exhibitions, collections and operations ahead of America’s 250th-birthday celebrations next year — the first time the Trump administration has detailed steps to scrutinize the institution, which officials say should reflect the president’s call to restore “truth and sanity” to American history.

The vetting process would include reviewing public-facing and online content, curatorial processes and guidelines, exhibition planning and collection use, according to a letter sent to Smithsonian Secretary Lonnie G. Bunch III on Tuesday and signed by White House senior associate Lindsey Halligan, Domestic Policy Council Director Vince Hale and White House Office of Management and Budget chief Russell Vought.

[…]

The letter states that the initial review will focus on eight museums: the National Museum of American History, the National Museum of Natural History, the National Museum of African American History and Culture, the National Museum of the American Indian, the National Air and Space Museum, the Smithsonian American Art Museum, the National Portrait Gallery and the Hirshhorn Museum and Sculpture Garden.

The American Association for State and Local History denounced the White House’s interference:

For nearly two centuries, the Smithsonian has served as a globally renowned model of scholarship and public engagement. Smithsonian museums and sites are beloved, trusted destinations for millions of visitors annually looking to gain knowledge, spark curiosity, and find connection. The administration is maligning the expertise and autonomy of an institution that represents the pinnacle of museum and scholarly practice.

This pressure on Smithsonian history museums, in particular, reveals the administration’s ambition to delegitimize the work of the history field and to rob the public of its ability to learn from the past. Sound historical practice depends upon meticulous research of a wide array of sources, open-minded embrace of complexity and ambiguity, and a willingness to update understandings as new information arises. Time and again, Americans have said that they want our country’s full story. Censoring and manipulating content to fit a predetermined, triumphalist narrative is the antithesis of historical practice and a disservice to us all.

Smithsonian exhibitions are grounded in scholarly research. The ahistorical, willfully ignorant Trump wants to impose his interpretation of American history.

Truth is, Trump knows little, if anything, about Black history. He thought Frederick Douglass was still alive in 2017.

While gleaning clues from Project 2025, Trump’s whitewashing of American history is foretold in George Orwell’s 1984:

The Party told you to reject the evidence of your eyes and ears. It was their final, most essential command.

[…]

And if all others accepted the lie which the Party imposed—if all records told the same tale—then the lie passed into history and became truth.

Trump’s Big Lie that the Smithsonian had “come under the influence of a divisive, race-centered ideology” is straight out of the dictator’s playbook.