This weekend, I led a teach-in at the President’s House Site organized by the Association of Philadelphia Tour Guides.
There was a steady stream of visitors to the site. Most were aware that the National Park Service removed the interpretive signs and were ordered to reinstall them. However, they were surprised the President’s House Site has not been restored to its physical status as of January 21, 2026 as ordered by U.S. District Judge Cynthia M. Rufe.
The Department of the Interior appealed Judge Rufe’s order to the Third Circuit Court of Appeals. Full restoration of the site was paused by Judge Thomas M. Hardiman. As the lawsuit, City of Philadelphia v. Doug Burgum, Secretary of the Interior, et al., moves through the federal courts, the President’s House Site will remain partially restored.
On the two-month anniversary of the removal of the interpretive panels, CBS Sunday Morning aired a report, “Signs of the times: Removing stories of America’s past from our national parks.”
Jim Axelrod interviewed Alan Spears, Senior Director for Cultural Resources at the National Parks Conservation Association.
Spears has a clear message for those who cannot handle the truth about the “nuanced nature of our history”:
If you are thinking about visiting a national park, if you don’t want to tackle any of these large issues that make you think critically about race and slavery, and gender and other things like that, there are hundreds of thousands of places in the United States where you can go. Knock yourself out at Six Flags but don’t ruin it for the rest of us who have come to rely on national parks as places for that learning.
We want to maintain their ability, unimpaired, to be able to talk about the full scope of our history – wonder, warts and all.
President Trump wants to erase the fact-based history told at the President’s House Site. Removal of the interpretive panels is a “sign o’ the times.”
The fight to save the President’s House has brought renewed attention to the nine Africans enslaved by President George Washington in the shadow of Independence Hall and the Liberty Bell.
Washington’s enslaved cook, Hercules Posey, the nation’s first celebrity chef, managed the kitchen at the President’s House. He became an ancestor on May 15, 1812. To mark the occasion, I will submit my nomination of Hercules for a Pennsylvania historical marker on May 15, 2026.
Before Hercules, there was Hannah Archer Hill (1721-1826). Born into slavery, Hannah was General George Washington’s enslaved personal cook during the grueling winter at Valley Forge.
Hannah and her husband, Isaac, purchased their freedom in 1778. She continued to work for General Washington as a salaried cook through all of his campaigns for the next six and a half years. For six months, her services were lent to the Marquis de Lafayette, who led troops under the command of General Washington.
The position of personal cook to the Commander-in-Chief required culinary skills as well as unwavering loyalty due to the threat of assassination by poisoning.
Following the Revolutionary War, Hannah and Issac made Philadelphia their home where she lived until her death at age 105.
In 2015, Hannah was honored for her contributions during the Revolutionary War. She was recognized as a Patriot by the Daughters of the American Revolution (DAR). A plaque was installed on her headstone in Historic Eden Cemetery. A DAR chapter was named in her honor.
During his triumphal tour of America, the Marquis de Lafayette stopped in Philadelphia in September 1824. Lafayette’s whirlwind of events included a three-mile-long welcoming parade, a temporary arch, and a Grand Ball where Francis “Frank” Johnson, a forefather of jazz, performed his composition, General La Fayette Bugle Waltz.
Lafayette made time to visit Hannah. When he learned that “Aunt Hannah” was behind on her ground rent, Lafayette sent her money to pay off her debt. The site of Hannah’s residence is a stop on my walking tour, Hercules Posey’s Philadelphia.
To be added to the mailing list for the walking tour, send your name and email address to phlwatchdog@gmail.com.
The recent Executive Order titled “Restoring Truth and Sanity to American History” represents a disturbing attack on core institutions and the public presentation of history, and indeed on historians and history itself. The directive seeks to limit the ways in which history is taught to the public and understood, especially by discouraging the incorporation of perspectives that might challenge simplified, one-dimensional, and biased views of American history. The implications of this order are far-reaching and challenge the historian’s profession to its very core. It proposes to rewrite history to reflect a glorified narrative that downplays or disappears elements of America’s history—slavery, segregation, discrimination, division—while suppressing the voices of historically excluded groups.
It is said that a picture is worth a thousand words. John Cole’s editorial cartoon, published in the Philadelphia Inquirer, speaks volumes about President Trump’s efforts to censor uncomfortable truths about the paradox of slavery and freedom at the President’s House.
In her order, U.S. District Judge Cynthia M. Rufe directed the Department of the Interior and the National Park Service to restore the President’s House Site to its physical status on January 21, 2026.
The Defendants appealed Judge Rufe’s order. Restoration of the President’s House was paused by Judge Thomas M. Hardiman of the Third Circuit Court of Appeals. The federal government does not have to fully restore the President’s House Site for the duration of the appeal. Judge Hardiman ordered the federal government to preserve the slavery memorial’s physical status on February 20, 2026.
Congressman Brendan F. Boyle has introduced legislation to permanently restore the President’s House Site. The Protecting American History Act requires the National Park Service to restore the federal slavery memorial to its physical status on January 21, 2026.
Congressman Boyle said:
The Trump administration’s decision to remove slavery-related exhibits at Independence National Historical Park was wrong. We are the United States of America. We don’t censor our history, and I am not going to allow the Trump administration to start censoring our nation’s history. So federal legislation is clearly needed.
Rep. Boyle’s bill would prohibit any future changes of any kind at Independence National Historical Park, which includes the President’s House Site, without prior approval from Congress. Reps. Dwight Evans and Mary Gay Scanlon are lead co-sponsors of the legislation.
In the wake of U.S. District Judge Cynthia M. Rufe’s order to restore the President’s House Site to its physical status as of January 21, 2026, the National Park Service began to reinstall the interpretive panels that were yanked from the walls.
The deadline to restore the President’s House Site was February 20, 2026 at 5:00 PM. The Department of the Interior and the National Park Service appealed Judge Rufe’s order to the Third Circuit Court of Appeals.
With an hour to go before the 5:00 PM deadline, Judge Thomas M. Hardiman granted a stay of execution. The federal government does not have to fully restore the President’s House Site for the duration of the appeal. Judge Hardiman ordered the federal government to preserve the slavery memorial’s physical status as of February 20, 2026.
The federal government cannot remove the 16 interpretive glass panels that were reinstalled or turn off the four functioning video monitors (the fifth monitor was nonfunctional prior to January 21, 2026). So, for the foreseeable future, the President’s House Site will be a mashup of the original glass panels and signs of creative resistance.
I spent the first day of Black History Month at the President’s House Site. Twenty days later, I was back at the slavery memorial leading a Truth in History Teach-In organized by the Association of Philadelphia Tour Guides. I shared stories about the nine Black enslaved people who worked and lived in the shadow of the Liberty Bell and Independence Hall. I told the history that President Trump wants to whitewash, including Ona Judge who “absconded from the household of the President of the United States” on May 21, 1796.
Nine months later, President Washington’s enslaved chef, Hercules Posey, self-emancipated from Mount Vernon on February 22, 1797, Washington’s 65th birthday.
I am nominating Hercules Posey, the nation’s first celebrity chef, for a Pennsylvania historical marker. If the nomination is approved, Hercules will join Ona whose marker was dedicated in 2023.
Invoking President Trump’s Executive Order, “Restoring Truth and Sanity to American History,” the National Park Service executed “a jarring alteration to the integrity of the [President’s House] site” on January 22, 2026.
On Washington’s Birthday, better known as Presidents’ Day, U.S. District Judge Cynthia Rufe rebuked President Trump’s claim to “the truth.” In her opinion granting the City of Philadelphia’s motion for a preliminary injunction, Judge Rufe invoked George Orwell:
And yet, in its argument, the government claims it alone has the power to erase, alter, remove and hide historical accounts on taxpayer and local government-funded monuments within its control. Its claims in this regard echo Big Brother’s domain in Orwell’s 1984, where:
The largest section of the [government’s] Records Department . . . consisted simply of persons whose duty it was to track down and collect all copies of books, newspapers, and other documents which had been superseded and were due for destruction. A number of the Times [a newspaper] which might, because of changes in political alignment, or mistaken prophesies uttered by Big Brother, have been rewritten a dozen times still stood on the files bearing its original date, and no other copy existed to contradict it. Books, also, were recalled and rewritten again and again, and were invariably reissued without any admission that any alteration had been made. Even the written instructions [for workers in the Records Department] . . . never stated or implied that an act of forgery was to be committed; always the reference was to slips, errors, misprints, or misquotations which it was necessary to put right in the interests of accuracy.
Much to his dismay, President Trump does not have the authority to dictate “the truth”:
The government here likewise asserts truth is no longer self-evident, but rather the property of the elected chief magistrate and his appointees and delegees, at his whim to be scraped clean, hidden, or overwritten. And why? Solely because, as Defendants state, it has the power.
Judge Rufe made it clear that she’s not telling the government what message to convey; rather, whatever message is conveyed at the President’s House Site must be done in consultation with the City:
The government can convey a different message without restraint elsewhere if it so pleases, but it cannot do so to the President’s House until it follows the law and consults with the City.
Judge Rufe ordered the Department of the Interior and the National Park Service to restore the President’s House Site to its physical status as of January 21, 2026 and “reinstall all panels, displays, and video exhibits that were previously in place.”
When Judge Rufe made a site visit, she saw that the Park Service cleared the snow on Independence Mall and left the President’s House Site covered in snow and ice.
Judge Rufe ordered the Defendants “to provide immediate, continuing, and proper maintenance to the Site, its exhibits, grounds [emphasis added], artifacts, video monitors, and recordings which SHALL remain operable.”
For the first time in decades, there are no Black History Month events at the Kennedy Center. The Washington Post reported:
As the calendar turns to February, many museums and cultural centers across the country are readying their programming for Black History Month. At the John F. Kennedy Center for the Performing Arts, however, the online calendar lists no scheduled events to honor Black History Month, following artist relocations and cancellations.
In the past, the national center for the arts has offered an array of programming keyed to the month-long celebration of Black history, including an annual concert and tributes to African American icons, such as D.C. native Duke Ellington. But the choirs that long performed those concerts moved their performances to other venues after President Donald Trump took over the Kennedy Center by purging its board of trustees last year, and it appears no other thematic programming was added in those events’ stead.
In a social media post on the first day of Black History Month, Trump, chairman of the Kennedy Center, proposed closing the storied venue for “Construction, Revitalization, and Complete Rebuilding” for two years, starting on July 4, 2026.
I have determined that The Trump Kennedy Center, if temporarily closed for Construction, Revitalization, and Complete Rebuilding, can be, without question, the finest Performing Arts Facility of its kind, anywhere in the World,” Trump wrote in a post on Truth Social. “In other words, if we don’t close, the quality of Construction will not be nearly as good, and the time to completion, because of interruptions with Audiences from the many Events using the Facility, will be much longer. The temporary closure will produce a much faster and higher quality result!
Chairman Trump said the proposal is subject to the approval of his board of trustees sycophants. Closing the Kennedy Center is a transparent way to save further embarrassment from cancellations, plummeting ticket sales, small pool of potential Kennedy Center honorees, and even lower viewership for the Kennedy Center Honors CBS broadcast.
Under Trump’s chairmanship, ain’t nothing going on at the Kennedy Center but chaos and the rent.
Dr. Carter G. Woodson launched Negro History Week in 1926 to honor African American contributions that were “overlooked, ignored, and even suppressed by the writers of history textbooks and the teachers who use them.” February was chosen because Black Americans already celebrated the birthdays of the Great Emancipator Abraham Lincoln (February 12) and the Great Orator Frederick Douglass (February 14).
One hundred years ago, to help highlight these achievements, Dr. Carter G. Woodson founded the Association for the Study of Afro-American Life and History. We are grateful to him today for his initiative, and we are richer for the work of his organization.
Freedom and the recognition of individual rights are what our Revolution was all about. They were ideals that inspired our fight for Independence: ideals that we have been striving to live up to ever since. Yet it took many years before these ideals became a reality for black citizens.
Fifty years later, President Donald Trump is sending a different message. Trump aggregates unto himself the authority to overlook, ignore and suppress Black history, and whitewash “what our Revolution was all about.”
Without notice to the City of Philadelphia, the National Park Service dismantled the President’s House Site which opened on December 15, 2010 after years of cooperation between the Park Service, the City and the public.
On the eve of Black History Month, a hearing was held (here and here) in federal district court on the City’s motion for a preliminary injunction to stop the suppression of the history of slavery. The City wants U.S. District Judge Cynthia M. Rufe to order the Defendants to restore the President’s House Site to its status as of January 21, 2026.
The Defendants claim “the National Park Service is the sole decision maker as to what is exhibited on its property.” They claim that President Trump has absolute authority to order the signs removed. The “administration issued the executive order that resulted in this action… The government gets to choose the message it wants to convey.”
Judge Rufe said “that’s a dangerous statement. That’s horrifying to listen to. [History] changes on the whim of someone in charge? Sorry. That’s not what we elected anybody for.”
Judge Rufe plans to inspect the displays removed from the President’s House. She also will visit the site. When she does, she will see the Park Service cleared the snow on Independence Mall and left the President’s House Site covered in snow and ice.
Judge Rufe is likely to issue her ruling in March 2026.
In the meantime, I spent the first day of Black History Month at the President’s House Site. I posted the “runaway slave” ad that Frederick Kitt, steward of the presidential household, placed in the Philadelphia Gazette & Universal Daily Advertiser offering a ten-dollar reward for the return of Oney Judge who “absconded from the household of the President of the United States.”
It was heartwarming to see the steady stream of visitors in the bitter cold and the creative forms of resistance.
As soon as the weather breaks, I plan to reserve People’s Plaza, the public square near the President’s House Site where protesting is allowed. I will set up my boombox and play protest songs. I expect the Park Service will “say my music’s too loud.”
UPDATE: On February 2, 2026, Judge Cynthia M. Rufe conducted a visual inspection of the signs removed from the President’s House Site by the National Park Service. Thirty-four panels were removed, some of which “exhibited damage.” The panels are stored in a secure location at the National Constitution Center.
“The government is ORDERED to continue to securely store all removed panels and to mitigate any further deterioration or damage.”
With respect to the Memorial, the enclosed space near the entrance to the Liberty Bell Center that is in the footprint of President Washington’s slave quarters, “no further removal and/or destruction of the President’s House site will be permitted until further order of the Court.”
President Trump likely has not read George Orwell who warned us: “Who controls the past controls the future. Who controls the present controls the past.” Trump wants to control the American narrative. So on his directive, the National Park Service is acting like it’s 1984.
On January 22, 2026 – without notice to the City of Philadelphia – the National Park Service unilaterally removed artwork and interpretive panels from the President’s House Site that “tells the story of the paradox of liberty and enslavement in one home – and in a nation.” The story reflects decades of scholarly research about the nine enslaved Africans who were brought by President George Washington from Mount Vernon to work in the executive mansion.
The panels and artwork were unceremoniously tossed in the back of a pickup truck and taken to a “secure location.”
Before the signs were unloaded in the still undisclosed “secure location,” the City of Philadelphia filed a complaint in the U.S. District Court for the Eastern District of Pennsylvania.
The City contends that the Department of the Interior and the National Park Service violated a 2006 cooperative agreement that “through a series of amendments, detailed the design of the President’s House Project as well as the rights and responsibilities of the parties.” According to the complaint, “the City has an equal right with the NPS under these agreements to approve the final design of the President’s House Project.”
The City asks the Court to declare that the Defendants’ removal of the artwork and interpretive signs violates the Administrative Procedure Act. The City argues the Defendants “have provided no explanation at all for their removal of the historical, educational displays at the President’s House site, let alone a reasoned one.”
The City maintains “there is no statutory or other authority for the Secretary to remove and destroy [National Underground Railroad Network to Freedom] sites after designation and doing so runs counter to the express purpose of the Administrative Procedure Act.”
The bottom line: The City seeks “An order restoring the President’s House Site to its status as of January 21, 2026.”
Pennsylvania Gov. Josh Shapiro posted on X that “Donald Trump will take any opportunity to rewrite and whitewash our history. But he picked the wrong city — and he sure as hell picked the wrong Commonwealth. We learn from our history in Pennsylvania, even when it’s painful.”
Shapiro said he will file an amicus brief in support of the City’s lawsuit.
Facts are stubborn things. On May 23, 1796, Frederick Kitt, steward of the presidential household, placed an ad in the Philadelphia Gazette and Universal Daily Advertiser offering a ten dollar reward “to any person who will bring [Oney Judge] home. Oney “ABSCONDED from the household of the President of the United States” on May 21, 1796.
The National Park Service designated the President’s House a National Underground Railroad Network to Freedom site in 2022.
Trump’s attempt to alter the facts and whitewash the history of the President’s House will not stand.
Donald Trump’s first year back in the White House was an annus horribilis. As the curtain was falling on 2025, President Trump’s handpicked Board of Trustees slapped his name on the John F. Kennedy Center for the Performing Arts. The Trump-stacked board changed the bylaws to allow only his sycophants to vote on the name change. Trump’s name on the building desecrates the living memorial to the 35th President of the United States.
By law, “no additional memorials or plaques in the nature of memorials shall be designated or installed in the public areas of the John F. Kennedy Center for the Performing Arts.” The illegal renaming prompted jazz drummer and vibraphonist Chuck Redd to cancel his Christmas Eve concert.
In a letter to Redd, Kennedy Center President Richard Grenell wrote this is “your official notice that we will seek $1 million in damages from you for this political stunt.”
Redd should call Grenell’s bluff. He would not have to worry about legal fees. Requests for donations to his legal defense fund would break the internet. It’s laughable to think the Kennedy Center would seek $1 million in damages for the cancellation of a free concert. There were no ticket sales; there were reservations. Through the discovery process, Redd would gain access to Board minutes and financial records.
Courage is contagious. Fall of Freedom is giving way to Winter of Discontent at the Kennedy Center. Shortly after Trump installed himself as chairman, “Hamilton” canceled its 2026 run at the storied art and culture institution.
The Cookers cancelled their New Year’s Eve concerts. The band’s drummer, Billy Hart, told the New York Times “the center’s name change had ‘evidently’ played a role” in the cancellation.
In canceling their gigs, Redd, the Cookers and the cast of “Hamilton” are following in the footsteps of the legendary citizen artists featured in the Kennedy Center’s immersive exhibit, “Art and Ideals.”
At the 1964 Berlin Jazz Festival, Dr. Martin Luther King Jr. observed that jazz musicians were the vanguard of the Civil Rights Movement. In a statement posted on their website, the Cookers said:
Jazz was born from struggle and from a relentless insistence on freedom: freedom of thought, of expression, and of the full human voice. Some of us have been making this music for many decades, and that history still shapes us. We are not turning away from our audience, and do want to make sure that when we do return to the bandstand, the room is able to celebrate the full presence of the music and everyone in it.
NEA Jazz Master Billy Taylor was artistic director at the Kennedy Center from 1994 until his death in 2010. Dr. Taylor’s composition, “I Wish I Knew How It Would Feel to Be Free,” was an unofficial anthem of the Civil Rights Movement.
Redd’s canceled concert was to be held on the Millennium Stage. The Billy Taylor Trio inaugurated the Millennium Stage on March 1, 1997.
As long as Trump’s name is on the wall, jazz musicians should not set foot in the building. The only jazz should be live from the archives, Billy Taylor’s Jazz at the Kennedy Center (here and here).
UPDATE: Jazz trumpeter and violinist Wayne Tucker canceled his January 22, 2026 concert which was scheduled for the Millennium Stage.
A few days before Fall of Freedom walking tour of Billie Holiday’s Philadelphia, the Philadelphia Inquirer published All That Philly Jazz Director Faye Anderson’s opinion piece in which she wrote:
No artist has met the moment with more courage than Lady Day, whose 1939 recording of “Strange Fruit” was named song of the century by Time magazine in 1999, and was added to the National Recording Registry in 2002.
“Strange Fruit” is a timeless and empowering act of creative resistance
While Holiday is sui generis, jazz musicians were the vanguard of the civil rights movement.
At so-called black and tan clubs like the Down Beat and the Blue Note, Black and white people intermingled on an equal basis for the first time.
Jazz clubs were constantly harassed by Philadelphia police led by vice squad Capt. Clarence Ferguson and his protégé, Inspector Frank Rizzo. The nightspots became battlegrounds in the struggle for racial justice. Jazz musicians’ unbowed demeanor fashioned a new racial identity
[…]
Courage is contagious. When we gather on South Broad, we are the resistance.
In collaboration with Scribe Video Center, the walking tour began at the Academy of Music where Billie had several engagements, including on May 6, 1946.
We stopped at the former location of the Radnor Hotel, a Green Book site, where Billie and her husband-manager, Louis McKay, were arrested on February 23, 1956. The raid was led by Captain Clarence Ferguson of the Philadelphia Police vice squad. The arrest is depicted in the biopic United States vs. Billie Holiday.
The penultimate stop was the site of Emerson’s Tavern, the jazz club where Billie last performed in Philadelphia. Emerson’s is the setting for the Broadway play, “Lady Day at Emerson’s Bar and Grill.”
The walk and talk ended at the former Attucks Hotel where on May 15, 1947, Billie’s room was raided while she was performing at the Earle Theater. Billie got a heads-up and fled to New York City where three days later she was arrested. She was subsequently convicted of narcotics possession and sentenced to one year and one day. Billie served her time at Alderson Federal Prison Camp in West Virginia.
The following Monday, Faye plastered the sticker that was given to participants all over Freeman Alley, a graffitied place of remembrance on the Lower East Side. Freedman Alley is located about a mile from Café Society, the Greenwich Village jazz club where Billie first sang “Strange Fruit.”
In the participant feedback survey, Faye expressed her hope that Fall of Freedom would lead to Winter of Our Discontent and Freedom Summer.
PHL Watchdog 